Trend Week review collection

For a designer, a mindful selection to make a massive turnaround in a single’s ingenious DNA either comes from boredom with what one has been doing relatively well, or from a persistent urge for development that suffuses one with reckless power. Or probably on account that of any person who strongly suggests it’s time to do some thing special. I'm hoping the recommendations for veteran designer Anju Modi’s Autumn/wintry weather 2015-16 assortment, which she showed on the first day of the Amazon India fashion Week at New Delhi’s Pragati Maidan on 25 March, did not stem from my last assumption. The best way to Write A Fairy tale had heady photographs of bountiful power, imbued with a lightness of being. The fact that Modi didn't particularly desire a path correction—both commercially or conceptually—makes it much more spectacular. So what if it's a calculated chance; a sharp flip off the well-trodden path at all times comes with its own anxieties.

A massive departure from her tried-and-proven variety, Modi sent out an assemblage of separates put together into full ensembles. Her assortment had a mixture of painstaking Indian couture—lovely embroidery and generous draping—with equipped-to-wear. Some flowy and voluminous, some outfitted and tailored; some bohemian, some coquettishly Indian; some sporty, some formal. Curly gigantic hair, fairy crowns on models, white sneakers with fairy wings tossed with churidars, slim pants, long tunics, lengthy asymmetrical dresses, flouncy ghaghras that mimicked gowns, saris worn with brief jackets or slashed-at-the-back blouses. It was once a cocktail spread: embroideries, prints, exams, glossy borders with a color palette that moved from the quiet of powder blue to the intensity of blood pink. She had some formal menswear pieces too. The way in which Modi mixed materials was once enthusing to watch as well; light silks in assessments as good as heavier raw silks to emphasize quantity and outcomes; pashminas walking alongside georgettes. What stood out for me had been the quirky embroidery patterns: parachutes, swans, clouds, castles, fish, ships, sea—performed with discretion rather than excess.

In every other country this assortment would fit into a couture showing—it had the aplomb and the finesse. However in India, where craft is such an authorized part of our wardrobes, these clothes would certainly be worn imaginatively without ready for a ceremonial party. That’s because Modi gave us a key to take our Indian wardrobes just a little lightly. To bring out embroideries with out overwhelming the whole look; to put on couture-like formals with a carefree angle. I didn’t like fairly just a few garments individually, specially the saris, which weren’t nice in any respect. However I liked the temper, the fun Modi delivered to Indian-put on, the best way she used embroidery without being enslaved through it, the way in which her lehngas moved with the chutzpah of gowns. Who says that when you read a fairy story, you need to be equally beguiled through Snow White and the seven dwarfs?